"You wanted an ocean, have I got an ocean for you."
The Doctor darted around the console and scooped his jacket up from where it hung on one of the TARDIS pillars. He absolutely loved this bit. The first trip to an alien world with someone who didn't even believe in other worlds until now. Very little was more exciting.
"Now! We've got breathable atmosphere, low radiation, and a beautiful summer day. The waters of the Greeio Malgoon are purple in the summer, which is when they're the warmest and the safest. I'd have taken you to them in the winter when they're blue, but the water's acid content gets a bit high and ends up spewing out strange creatures with eyes that shoot lasers. Green lasers, they disintegrate you without much warning. Very technicolor world, the Greeo Malgoon."
He shrugged. "Still! In the summer, peak of tourist season, it's the most brilliant place for a visit."
The Doctor darted around the console and scooped his jacket up from where it hung on one of the TARDIS pillars. He absolutely loved this bit. The first trip to an alien world with someone who didn't even believe in other worlds until now. Very little was more exciting.
"Now! We've got breathable atmosphere, low radiation, and a beautiful summer day. The waters of the Greeio Malgoon are purple in the summer, which is when they're the warmest and the safest. I'd have taken you to them in the winter when they're blue, but the water's acid content gets a bit high and ends up spewing out strange creatures with eyes that shoot lasers. Green lasers, they disintegrate you without much warning. Very technicolor world, the Greeo Malgoon."
He shrugged. "Still! In the summer, peak of tourist season, it's the most brilliant place for a visit."
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"We need to figure out what they're doing. What don't they want us to find."
And, as an afterthought, he turns back to Morgana.
"Are you sure you're okay with going forward? You can wait back at the TARDIS, if you want.
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"Doctor, if you can forgive my earlier reaction," underneath the tone of confidence, is a warning not to ask, "I think it would be wiser if we do not separate."
Morgana has a perfectly logical reason for this, "In case assistance is needed."
Not that things ever go horrifically wrong around the Doctor, like almost dying not too long ago.
And because she's been wishing for it, "Next time, I will not take your advice and bring my dagger."
Wait, did she just imply the possibility of a next time?
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"So you'd like there to be a next time, then?" he asks. And since he's not one to deny someone adventure, he doesn't mention the idea of her going back again.
At the top of the slope, he turns and reaches an arm out to help her up.
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"You still owe me a trip to the Western Sea." Clearly, that is what she meant but a trip to the Western Sea also means a return home, permanently.
She frowns for a moment before taking his proffered hand.
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He pulls her up easily, and then hops to his feet to look around. It's another long, dark corridor.
"Now, what's so bad up here they want to scare us off, eh?"
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The Doctor may sound nonchalant about what is up here, and really, that should give Morgana pause, but it does not. Instead, she's looking around to see if her phantom is still there. The corridor and the foyer are empty, to her relief.
"We selected the wrong building to seek shelter in from the sirens," now she's just being sarcastic.
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A light goes on somewhere, illuminating the hallway in a dark, unpleasant red glow.
"Ominous," he says, though his voice is far more excited than it is afraid.
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The red light, on the other hand is ominous, but Morgana lacks the excitement the Doctor feels. Although, there is the smallest tinge of curiousity.
She would also like to try something first before the pair of them might be lured into another trap, like the one in the lower portions of the building. Stepping forward, Morgana reaches to grab the Doctor's hand, as it is the easiest way to gain his attention, and, hopefully, keep him in place.
"Hello?" It's a question, but a forceful one. "If anyone is there, show yourself." That's her very best lady of the palace voice.
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The light, however, gets very slightly brighter towards the farthest door on at the end of the corridor.
"Maybe that's our response," he says, quietly. "Shall we?"
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"Perhaps it is, so we must," Morgana looks behind her and still sees nothing, and the only thing ahead of her is the light. The absolute nature of her speech is to convince herself, as much as anything else. "If this place should be teeming with people, we must find out where they have been taken."
Of course 'taken' is only an assumption, she hopes.
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"Probably scared away from the things happening here," he says, though his voice allows that he doesn't properly believe it. "Wouldn't you, if a big pile of steam that's not from your world suddenly appears in the middle of the city, along with basements full of monsters and sliding staircases? Well, unless you're a Londoner, I suppose. They never learn."
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Well, they certainly are not going to learn anything staying put. "Come, we are putting off the inevitable." With that, Morgana takes a step forward, releasing the Doctor's hand.
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A pause.
"Well, apart from undead creatures with green lasers coming out of their eyes during the winter, you know, I don't know. We'll need to find out."
And with that, he stays immediately behind her as she steps ahead.
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Morgana has an odd notion about the corridor; it is like the inside of the Doctor's head, and although this door is indicating entry, any of the others might provide something equally interesting.
But she's also learned that what is interesting does not always mean relevant, so she looks only to the one door, and opens it.
Instantly, there is a flash, like a powerful bolt of lightning, and that causes her to cover her eyes.
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The light hits him right in the eyes, but he manages to leap forward and slam shut the door. Bright spots obscure his vision a moment.
"Some sort of a trap, I think," he says. "Are you all right? Did you look into it?"
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"We keep going where we we are shown, like livestock being rounded up for slaughter." She pauses, hoping that her comment is only an over-dramatic simile. "They wanted us separated on the street. They wanted us to take shelter inside. They wanted us at this door. I do not want to do what they want anymore."
She squeezes her eyes tightly shut again, hoping to get rid of most of the blotches. Looking back at the Doctor, he is now 3/4 clear, which is enough for her to pick any door and try it -- which she does. She selects the one directly opposite to the trap, and opens.
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He reaches out to try to stop her, but the door is already open by the time he gets there.
To his surprise, inside the door is a child's bedroom. Dolls line the table and a frilly lace bedspread covers the tiny bed. The walls are a light pink and are adorned with pretty pastel paintings of horses and dolls.
The entire room is coated in about an inch of snow. Despite the low ceiling, a steady stream of light snow continues to fall. The room is unbearably quiet.
Cautiously, the Doctor takes a step in, his trainers crunching in the snow.
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Morgana walks in right behind him, the snow immediately melting on her light summer shoes, making her feet wet and cold, and leaving small traces of the colour from the brackish liquid in her wake. She runs her finger across the top of a dresser, disturbing the snow as one would dust.
There is a distinct temperature difference in this room than in the corridor.
And Morgana says something that is becoming more and more common on this adventure. "Doctor, this snow is not purple either."
The room looks undisturbed, but it is a child's room nonetheless, so Morgana feels obligated to look for one. The first thing she does (with about 90% of her vision back) is crouch down and check under the bed.
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A tinny music begins to play and he spins around, but a tiny ballerina music box on the side table has opened without warning, and a little robotic ballerina does a dance on the center of it while a tune the Doctor doesn't recognize plays around her.
It's not often the Doctor is chilled to his bone, but this place downright scares him.
"I think we should leave this room," he says, taking a cautious step back.
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She grabs onto the book, and then looks at the Doctor, she's only ever seen him look frightened once before, when she was uncertain if he was mad, so his fear now is even more disturbing.
The snow under her knees chills her, and when she stands, the reddish colour left on the floor from the stains on her gown makes it look like something was slaughtered.
"Doctor, what is it?" The decor is horrific -- granted, she is used to tapestries and stone, but she needs to establish what exactly is so wrong that causes him to look scared.
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He reaches out to the robotic ballerina, but as his hand nears it, the music box stops playing. He looks back to the dolls. Did their heads move to look towards him.
"I know evil, Morgana. It's in this place."
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That is, until she's certain the dolls moved and the music stops.
She takes a step closer to him, and thus, closer to the exit. "This was under the bed." She holds out the small pink book with the lock. She would be unfamiliar as to what it might be. "Everything else is out in the open, so why try to hide this?"
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"What made you think to look under the bed?"
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"This is a child's room. Did you not ever hide things, or even yourself under a bed as a child?" Morgana, for her time, was lucky enough to always have a bed, but knows that is not the case for everyone. "That is, unless you did not have a bed." Sometimes the realities of her rank make her sound a bit unintentionally pompous.
As she speaks, she's flipping through the pages, only to find a messy child-like scrawl, riddled with spelling errors, on each of the pages. Only about a dozen pages are written upon, but the last entry is interesting.
"What do you think this means?" This time, she expects him take it.
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He slips on his glasses. Snow falls on the page, but the writing doesn't smudge. It's been here a while.
"G.M. Better take it with us, have the TARDIS translate it," he says. Anything to get out of this room. He turns to leave and starts.
"The door." It's gone.
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