"You wanted an ocean, have I got an ocean for you."
The Doctor darted around the console and scooped his jacket up from where it hung on one of the TARDIS pillars. He absolutely loved this bit. The first trip to an alien world with someone who didn't even believe in other worlds until now. Very little was more exciting.
"Now! We've got breathable atmosphere, low radiation, and a beautiful summer day. The waters of the Greeio Malgoon are purple in the summer, which is when they're the warmest and the safest. I'd have taken you to them in the winter when they're blue, but the water's acid content gets a bit high and ends up spewing out strange creatures with eyes that shoot lasers. Green lasers, they disintegrate you without much warning. Very technicolor world, the Greeo Malgoon."
He shrugged. "Still! In the summer, peak of tourist season, it's the most brilliant place for a visit."
The Doctor darted around the console and scooped his jacket up from where it hung on one of the TARDIS pillars. He absolutely loved this bit. The first trip to an alien world with someone who didn't even believe in other worlds until now. Very little was more exciting.
"Now! We've got breathable atmosphere, low radiation, and a beautiful summer day. The waters of the Greeio Malgoon are purple in the summer, which is when they're the warmest and the safest. I'd have taken you to them in the winter when they're blue, but the water's acid content gets a bit high and ends up spewing out strange creatures with eyes that shoot lasers. Green lasers, they disintegrate you without much warning. Very technicolor world, the Greeo Malgoon."
He shrugged. "Still! In the summer, peak of tourist season, it's the most brilliant place for a visit."
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Years of court etiquette are certainly not going to be overcome on the first trip, if, at all.
"Something went wrong is an understatement, Doctor." She says, crossing the foyer to the door, and uses her might-be-a-screwdriver to unlock what she thought, earlier was wise to keep locked.
"I think we will feel better once we are outside."
Exiting first, the second she steps out, she hears a hissing, angry voice, witch and she closes her eyes for a second and repeats aloud. "It is not real."
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He doesn't push her, he doesn't pressure, he just waits. She'll go when she's ready. When she believes it's not real. He has that faith.
Doctor--- a voice hisses from behind him. It's the Master's voice. He knows it. He freezes and looks back. There he is, just as the Doctor left him in Elsewhere. Suit, manic grin. But he can't be here. He's not real.
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When she does open her eyes, she sees the Doctor look behind him, and she knows, from the stance, and the stare, that he's seeing something, someone important as well. "Doctor," her voice is probably gentler than he's ever heard it. "Now you have to remember whoever it is, is not real."
She puts a hand on the arm holding his jacket. She can wait equally as patiently.
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He can't dispel it. Inside, he's too desperate for it to be real.
"Just go," he says. "We have to get out of here. Quickly, go, now!"
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"The both of us, or just me? You sound uncertain. Whatever is happening they want us to separate. Remember that."
And Morgana is not above using low blows to snap him out of this. "Please do not tell me you would be willing to abandon me for an illusion."
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"Leave her alone," the Doctor barks automatically.
You never change. Always playing with Earth girls, the Master says.
No, not the Master, the illusion. It's an illusion. It's not real, no matter how much the Doctor wants it to be.
He opens his eyes, and the Master is gone.
He turns to Morgana and nods to the door. "Quickly."
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For the second time, it's Morgana who chooses to reach for his hand. She says, without irony or even annoyance at the possibility, "Thank you, Doctor, for not leaving me for your illusion."
Something Morgana will never think about -- if there was ever a flesh and blood choice. Her pride's never going to tolerate it.
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There's a rumble of thunder and a crash of lightning, strange and alien, above them.
"We need to find the central hub computer," he says.
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She's back to feeling comfortable with the slight temperature difference between them.
She looks up at the sound of thunder. "Is the rain here purple?" It's as much out of curiosity as it is trying to distinguish if the sounds are real.
They make their way back through the street to the steam, which flickers in front of her, and she squints a little, in an automatic response.
"That building is real, is it not?" She's indicating a small, almost shed sized metal building, whose style is jarring with the rest of the architecture.
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The steam before them, though, he knows isn't real. He finds himself grinning.
"And they want us to stay away." He squeezes her hand. "I think it's about time we worked on defying what they want properly, don't you?"
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"Everything was a trick. The cold, the door, all of it was created to try and drive us out, or punish us for going inside." As annoyed as she is at being so thoroughly tricked, it causes her to realize something else. "That is a lot of effort to keep us out of one little girl's room."
When he squeezes her hand, she leans in a little, and says, conspiratorially, "I do believe it is time to defy their rules."
With that, the steam, for her, stops flickering and disappears entirely.
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"I've never been much for rules."
And, in protest, he hears a crumbling sound, followed by the sound of the TARDIS dematerializing in the distance. Things that would frighten him, make him run away.
He nods, and starts towards the shed. "There's more illusion here than reality right now."
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There's a scream in the distance; it sounds like Gwen, causing Morgana to turn her head quickly to look. It is upsetting to have such things -- personal relationships, fears, and her natural protective instincts, so completely manipulated.
"That was cruel," She comments, without further elaboration. It just makes her more determined to ignore everything, thus she steps slightly ahead and reaches out to open the door to the building as if she expects nothing out of the ordinary.
Except what she gets is a severe shock, so severe, it knocks her off her feet.
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And suddenly, Morgana is off her feet. The Doctor rushes over to her and puts his hand to her pulse. It's beating, if irregularly. he looks back to the door handle and zaps it with his sonic. Low level electric field. A trap after the traps.
And he let Morgana walk right into it.
"Morgana," he says, panicked. "Morgana!"
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So watching the Doctor zap the door handle, and calling out to her is as surreal as almost everything else about this trip has been thus far. Slowly she puts her hand to her chest and takes a breath. With an unsteady voice she asks, "Was that real?" She actually hopes it is, as she would hate to think her brain could trick her so severely.
Morgana's giving herself another second or two before she tries to sit up.
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He releases her wrist and takes her hand instead.
"I have a feeling from here on out most of them will be," he says.
The shed doesn't look large, but he doesn't expect that it's as it seems, either.
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Sitting up is not elegantly done. Morgana puts a hand to her chest and winces. Everything is tight, and her heart's rhythm still isn't right. "What was that?" She would like to understand whatever just happened.
She pulls her feet underneath her, and thinks about standing up but thinking is as far as she gets at the moment. "They must want to physically keep us out of there, like with the turret." Perhaps? She hopes she's right, she's just trying to get her thoughts back in order, and her heart to steady.
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Traps and turrets. More ways for Morgana to die. He considers sending her back to the TARDIS, where she'll be safe. But she doesn't want to be coddled, does she? And traveling with him is never safe.
He reaches for the door and gestures for her to step back.
"Just in case."
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So, she takes a step closer, in defiance. "I want to confront whatever is doing this to us as much as you do." Part of how she treats others is always giving another explanation for her behaviour, in case her actual reasoning is unappreciated.
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A beat.
"You know. Again."
But the entrance to the shed is quiet, no turrets, no traps. Just a dark, open room. It makes the Doctor massively nervous. This shouldn't be so easy. He knows this shouldn't be so easy.
He takes a cautious step inside.
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If the Doctor sees a light behind him, it's from Morgana's sonic. She also not going to tempt fate by saying aloud that perhaps the electrified door was the only obstacle. She doesn't really believe it, anyway.
If the Doctor feels something, it's Morgana's hand gripping onto the sleeve of his jacket, both for contact, and, if she were honest (she won't be) a little bit of comfort.
The dim light lands on a console, not that Morgana knows what that is. In actuality, it's a couple of levers and a few buttons on a small shelf that's been built into the walls. She swings the light around to see if she can spot something else of interest.
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It's about the time that he steps into the main room that he realizes exactly what they're up against. More monitors, this time with pictures of the same rooms from the board room and a long series of code.
"Psychic code," the Doctor says. "Built to try to scare away the tourists. Probably the same code they used during winter to protect their harvests. But moving it to the summertime, that didn't work out, did it? The code got greedy, it got clever. It took over. But why?"
A monitor in the middle of the room flickered to life. A frightened looking man with bright blue skin sat at a desk. It flickered with the power on the screens.
"If anyone has seen our daughter. Please. Please, help us. We think---" the screen flickered again "---and if it is the G.M. Secure Program, we will---"
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The shock at seeing a man whose skin is blue, is quickly overtaken by something much more universal. "Sir, I believe we know where your daughter is." It might sound ridiculous but 1) Morgana's never come in contact with a recorded message like that. All of the communication elsewhere was always live. 2) Hearing the desperation, she wants to alleviate it, even if it is the worst possible news.
Both of those things also overshadow any comment on him being such a vibrant blue.
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"No, no, it's a recording," the Doctor says, patiently. "A visual copy of something he said once a long time ago." He points to the room behind the man, where the tables each have an adult sitting in them.
"Look where he is, Morgana. Look at the room."
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And one more, "I asked where the servants were. He is one." The dynamic is obvious -- the people at the table, versus the man standing -- all signs of servitude. "And whatever it is they were doing to scare away the people killed his little girl."
There's a deep ache in Morgana's stomach in sympathy. It's something she's seen before, refused to shy away from -- the parents who lose a child due to a harsh winter, or sickness, which is all too common in Camelot but there is also a much more sinister reason to lose one's child. Morgana's just made the connection, "Over a year ago, the king executed a man -- my age, for sorcery. His mother came back and tried to kill Arthur in vengeance."
She looks back to the man on the screen and wonders how far he would go to find his child.
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